And the oscar goes to....Pois é esta é a frase mais ouvida numa noite cheia de glamour e de festa como é a noite dos Oscars.
Por Portugal, não há glamour mas faz-se também a festa em frente ao televisor.... É caso para dizer: "EU VOU" ver os Oscars na televisão!
E os nomeados são:
| Performance by an actor in a leading role | |
| George Clooney in “Michael Clayton” (Warner Bros.) | |
| Daniel Day-Lewis in “There Will Be Blood” (Paramount Vantage and Miramax) | |
| Johnny Depp in “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) | |
| Tommy Lee Jones in “In the Valley of Elah” (Warner Independent) | |
| Viggo Mortensen in “Eastern Promises” (Focus Features) | |
| Performance by an actor in a supporting role | |
| Casey Affleck in “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.) | |
| Javier Bardem in “No Country for Old Men” (Miramax and Paramount Vantage) | |
| Philip Seymour Hoffman in “Charlie Wilson’s War” (Universal) | |
| Hal Holbrook in “Into the Wild” (Paramount Vantage and River Road Entertainment) | |
| Tom Wilkinson in “Michael Clayton” (Warner Bros.) | |
| Performance by an actress in a leading role | |
| Cate Blanchett in “Elizabeth: The Golden Age” (Universal) | |
| Julie Christie in “Away from Her” (Lionsgate) | |
| Marion Cotillard in “La Vie en Rose” (Picturehouse) | |
| Laura Linney in “The Savages” (Fox Searchlight) | |
| Ellen Page in “Juno” (Fox Searchlight) | |
| Performance by an actress in a supporting role | |
| Cate Blanchett in “I’m Not There” (The Weinstein Company) | |
| Ruby Dee in “American Gangster” (Universal) | |
| Saoirse Ronan in “Atonement” (Focus Features) | |
| Amy Ryan in “Gone Baby Gone” (Miramax) | |
| Tilda Swinton in “Michael Clayton” (Warner Bros.) | |
| Best animated feature film of the year | |
| “Persepolis” (Sony Pictures Classics) Marjane Satrapi and Vincent Paronnaud | |
| “Ratatouille” (Walt Disney) Brad Bird | |
| “Surf's Up” (Sony Pictures Releasing) Ash Brannon and Chris Buck | |
| Achievement in art direction | |
| “American Gangster” (Universal) Art Direction: Arthur Max Set Decoration: Beth A. Rubino | |
| “Atonement” (Focus Features) Art Direction: Sarah Greenwood Set Decoration: Katie Spencer | |
| “The Golden Compass” (New Line in association with Ingenious Film Partners) Art Direction: Dennis Gassner Set Decoration: Anna Pinnock | |
| “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Art Direction: Dante Ferretti Set Decoration: Francesca Lo Schiavo | |
| “There Will Be Blood” (Paramount Vantage and Miramax) Art Direction: Jack Fisk Set Decoration: Jim Erickson | |
| Achievement in cinematography | |
| “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.) Roger Deakins | |
| “Atonement” (Focus Features) Seamus McGarvey | |
| “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Janusz Kaminski | |
| “No Country for Old Men” (Miramax and Paramount Vantage) Roger Deakins | |
| “There Will Be Blood” (Paramount Vantage and Miramax) Robert Elswit | |
| Achievement in costume design | |
| “Across the Universe” (Sony Pictures Releasing) Albert Wolsky | |
| “Atonement” (Focus Features) Jacqueline Durran | |
| “Elizabeth: The Golden Age” (Universal) Alexandra Byrne | |
| “La Vie en Rose” (Picturehouse) Marit Allen | |
| “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Colleen Atwood | |
| Achievement in directing | |
| “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Julian Schnabel | |
| “Juno” (Fox Searchlight) Jason Reitman | |
| “Michael Clayton” (Warner Bros.) Tony Gilroy | |
| “No Country for Old Men” (Miramax and Paramount Vantage) Joel Coen and Ethan Coen | |
| “There Will Be Blood” (Paramount Vantage and Miramax) Paul Thomas Anderson | |
| Best documentary feature | |
| “No End in Sight” (Magnolia Pictures) A Representational Pictures Production Charles Ferguson and Audrey Marrs | |
| “Operation Homecoming: Writing the Wartime Experience” (The Documentary Group) A Documentary Group Production Richard E. Robbins | |
| “Sicko” (Lionsgate and The Weinstein Company) A Dog Eat Dog Films Production Michael Moore and Meghan O’Hara | |
| “Taxi to the Dark Side” (THINKFilm) An X-Ray Production Alex Gibney and Eva Orner | |
| “War/Dance” (THINKFilm) A Shine Global and Fine Films Production Andrea Nix Fine and Sean Fine | |
| Best documentary short subject | |
| “Freeheld” A Lieutenant Films Production Cynthia Wade and Vanessa Roth | |
| “La Corona (The Crown)” A Runaway Films and Vega Films Production Amanda Micheli and Isabel Vega | |
| “Salim Baba” A Ropa Vieja Films and Paradox Smoke Production Tim Sternberg and Francisco Bello | |
| “Sari’s Mother” (Cinema Guild) A Daylight Factory Production James Longley | |
| Achievement in film editing | |
| “The Bourne Ultimatum” (Universal) Christopher Rouse | |
| “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Juliette Welfling | |
| “Into the Wild” (Paramount Vantage and River Road Entertainment) Jay Cassidy | |
| “No Country for Old Men” (Miramax and Paramount Vantage) Roderick Jaynes | |
| “There Will Be Blood” (Paramount Vantage and Miramax) Dylan Tichenor | |
| Best foreign language film of the year | |
| “Beaufort” A Metro Communications, Movie Plus Production Israel | |
| “The Counterfeiters” An Aichholzer Filmproduktion, Magnolia Filmproduktion Production Austria | |
| “Katyń” An Akson Studio Production Poland | |
| “Mongol” A Eurasia Film Production Kazakhstan | |
| “12” A Three T Production Russia | |
| Achievement in makeup | |
| “La Vie en Rose” (Picturehouse) Didier Lavergne and Jan Archibald | |
| “Norbit” (DreamWorks, Distributed by Paramount) Rick Baker and Kazuhiro Tsuji | |
| “Pirates of the Caribbean: At World’s End” (Walt Disney) Ve Neill and Martin Samuel | |
| Achievement in music written for motion pictures (Original score) | |
| “Atonement” (Focus Features) Dario Marianelli | |
| “The Kite Runner” (DreamWorks, Sidney Kimmel Entertainment and Participant Productions, Distributed by Paramount Classics) Alberto Iglesias | |
| “Michael Clayton” (Warner Bros.) James Newton Howard | |
| “Ratatouille” (Walt Disney) Michael Giacchino | |
| “3:10 to Yuma” (Lionsgate) Marco Beltrami | |
| Achievement in music written for motion pictures (Original song) | |
| “Falling Slowly” from “Once” (Fox Searchlight) Music and Lyric by Glen Hansard and Marketa Irglova | |
| “Happy Working Song” from “Enchanted” (Walt Disney) Music by Alan Menken Lyric by Stephen Schwartz | |
| “Raise It Up” from “August Rush” (Warner Bros.) Music and lyric by Jamal Joseph, Charles Mack and Tevin Thomas | |
| “So Close” from “Enchanted” (Walt Disney) Music by Alan Menken Lyric by Stephen Schwartz | |
| “That’s How You Know” from “Enchanted” (Walt Disney) Music by Alan Menken Lyric by Stephen Schwartz | |
| Best motion picture of the year | |
| “Atonement” (Focus Features) A Working Title Production Tim Bevan, Eric Fellner and Paul Webster, Producers | |
| “Juno” (Fox Searchlight) A Mandate Pictures/Mr. Mudd Production Lianne Halfon, Mason Novick and Russell Smith, Producers | |
| “Michael Clayton” (Warner Bros.) A Clayton Productions, LLC Production Sydney Pollack, Jennifer Fox and Kerry Orent, Producers | |
| “No Country for Old Men” (Miramax and Paramount Vantage) A Scott Rudin/Mike Zoss Production Scott Rudin, Ethan Coen and Joel Coen, Producers | |
| “There Will Be Blood” (Paramount Vantage and Miramax) A JoAnne Sellar/Ghoulardi Film Company Production JoAnne Sellar, Paul Thomas Anderson and Daniel Lupi, Producers | |
| Best animated short film | |
| “I Met the Walrus” A Kids & Explosions Production Josh Raskin | |
| “Madame Tutli-Putli” (National Film Board of Canada) A National Film Board of Canada Production Chris Lavis and Maciek Szczerbowski | |
| “Même les Pigeons Vont au Paradis (Even Pigeons Go to Heaven)” (Premium Films) A BUF Compagnie Production Samuel Tourneux and Simon Vanesse | |
| “My Love (Moya Lyubov)” (Channel One Russia) A Dago-Film Studio, Channel One Russia and Dentsu Tec Production Alexander Petrov | |
| “Peter & the Wolf” (BreakThru Films) A BreakThru Films/Se-ma-for Studios Production Suzie Templeton and Hugh Welchman | |
| Best live action short film | |
| “At Night” A Zentropa Entertainments 10 Production Christian E. Christiansen and Louise Vesth | |
| “Il Supplente (The Substitute)” (Sky Cinema Italia) A Frame by Frame Italia Production Andrea Jublin | |
| “Le Mozart des Pickpockets (The Mozart of Pickpockets)” (Premium Films) A Karé Production Philippe Pollet-Villard | |
| “Tanghi Argentini” (Premium Films) An Another Dimension of an Idea Production Guido Thys and Anja Daelemans | |
| “The Tonto Woman” A Knucklehead, Little Mo and Rose Hackney Barber Production Daniel Barber and Matthew Brown | |
| Achievement in sound editing | |
| “The Bourne Ultimatum” (Universal) Karen Baker Landers and Per Hallberg | |
| “No Country for Old Men” (Miramax and Paramount Vantage) Skip Lievsay | |
| “Ratatouille” (Walt Disney) Randy Thom and Michael Silvers | |
| “There Will Be Blood” (Paramount Vantage and Miramax) Christopher Scarabosio and Matthew Wood | |
| “Transformers” (DreamWorks and Paramount in association with Hasbro) Ethan Van der Ryn and Mike Hopkins | |
| Achievement in sound mixing | |
| “The Bourne Ultimatum” (Universal) Scott Millan, David Parker and Kirk Francis | |
| “No Country for Old Men” (Miramax and Paramount Vantage) Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland | |
| “Ratatouille” (Walt Disney) Randy Thom, Michael Semanick and Doc Kane | |
| “3:10 to Yuma” (Lionsgate) Paul Massey, David Giammarco and Jim Stuebe | |
| “Transformers” (DreamWorks and Paramount in association with Hasbro) Kevin O’Connell, Greg P. Russell and Peter J. Devlin | |
| Achievement in visual effects | |
| “The Golden Compass” (New Line in association with Ingenious Film Partners) Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood | |
| “Pirates of the Caribbean: At World’s End” (Walt Disney) John Knoll, Hal Hickel, Charles Gibson and John Frazier | |
| “Transformers” (DreamWorks and Paramount in association with Hasbro) Scott Farrar, Scott Benza, Russell Earl and John Frazier | |
| Adapted screenplay | |
| “Atonement” (Focus Features) Screenplay by Christopher Hampton | |
| “Away from Her” (Lionsgate) Written by Sarah Polley | |
| “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Screenplay by Ronald Harwood | |
| “No Country for Old Men” (Miramax and Paramount Vantage) Written for the screen by Joel Coen & Ethan Coen | |
| “There Will Be Blood” (Paramount Vantage and Miramax) Written for the screen by Paul Thomas Anderson | |
| Original screenplay | |
| “Juno” (Fox Searchlight) Written by Diablo Cody | |
| “Lars and the Real Girl” (MGM) Written by Nancy Oliver | |
| “Michael Clayton” (Warner Bros.) Written by Tony Gilroy | |
| “Ratatouille” (Walt Disney) Screenplay by Brad Bird Story by Jan Pinkava, Jim Capobianco, Brad Bird | |
| “The Savages” (Fox Searchlight) Written by Tamara Jenkins | |
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